Sunday, January 26, 2020
Far From The Madding Crowd
Far From The Madding Crowd How does Thomas Hardy gain sympathy for his female characters in Far From The Madding Crowd? Sympathy allows us to walk in someone elses shoes. It gives us the ability to recognise another persons perspective on a situation and offer emotional support. Thomas Hardy witnessed the conspicuous class distinctions of the late nineteenth century. He felt strongly about the social divide between men and women, deliberately setting his novel before The Married Womens Property Act was published. Although these laws are not beneficial in terms we understand today, it represented a significant development of womens right. Far From The Madding Crowd is set in the early 19th century where women evidently had an inferior status compared to men, and were frequently limited on what they were permitted to do. Hardy aimed to challenge and redefine the role of women, through his unconventional illustration of his female protagonist, which challenged the Victorian ideology of the perfect lady. Throughout the novel Hardy illustrates a stark contrast between two females struggling through life in Patriarchal society. Bathsheba is portrayed as an independent, feisty, unconventional Victorian woman frowned on by society, in comparison to Fanny Robins character who conforms to the stereotypical ideology of Victorian women desperately seeking attention from the man she loves and living out the role of the victim. In the first chapter, Bathshebas character is immediately introduced as vain. This characteristic is portrayed through Hardys use of language she blushed at herself and clearly through Gabriels Oak observation but she has her faults vanity. She behaves in a very eccentric manner by unwrapping her looking glass and admiring herself attentively. She practises smiling to see how attractive she is to men. Here her selfish quality covers up her subconscious insecurities of feeling ashamed, weak and vulnerable, although she does not want to raise awareness of her anxiety, because she may feel that it makes her look fragile or inadequate as a woman farmer. She was constantly aware of how she was presented through other people opinions. Bathshebas vanity is the prominent, most excruciatingly obvious weakness, placing her in emotional dangerous situations. It was a direct result of her vanity, and her impetuous nature, that influenced Bathsheba to send Boldwood an anonymous valentines card. F eeling piqued by Boldwoods lack of interest resulting in Boldwood directing his attention to her. Bathsheba is placed in an unstable marriage with Troy, after Troy indulges her vanity by consistently praising her beauty and youthful looks Bathsheba instantly believes she is love with him, her heart erratically flitting hither and thither from perplexed excitement. Agreeing to meet Troy in secret at night, Troy kisses her set her stinging as if lame to the very hollow of her feet. Bathsheba jealously is aroused when Troy announces that he is considering marring another woman, preventing this possible affront to her vanity, Bathsheba marries Troy. Bathsheba faced the adversity of living in a male dominant society attitudes towards women in the 19th century. She illustrates a very independent woman who opposed the preconceived idea of a womans role in the 19th century by inheriting her uncles farm, and running the farm effectively. She is unconventional for being a farmer and a feminist in her own right, To manage everything with my own head and hands. We know that this quote is truthful due to the fact that upon catching her bailiff stealing she instantly dismisses him, and by doing the job herself has shown her supreme independence, confidence and what some conclude as, arrogance. This reveals yet another of her weaknesses-impulsiveness. The farm workers believe that having Bathsheba as their balif will bring them all to the bad, Bathsheba is very much out of place amongst a dominant male farming society. Her gender brings doubt and lack of faith amongst the farm workers; The other man would then shake his head. The language Hardy uses to describe the attitude of the Farm worker towards Bathsheba allows the reader to gain compassion toward the protagonist because of her moral intentions. For the farm workers, any change is wrong, but over time as Bathsheba begins to adapt their opinion on Bathsheba as a woman farmer changed she lightens up the old place . Troy married Bathsheba not because of his love for her but for her wealth. By The Married Womens Property Act in the 19th century, as a result of marriage a the husband was allowed to take his wifes earnings, Bathsheba could you let me have twenty pounds. This shows how Troy uses the law to take advantage of Bathsheba, by taking her money. By doing this Bathsheba feels out of her depth, she cannot cope with the thought that Troy is using her finance for his own goings on, but she still allows him to have complete control over her because she loves him. As the novel progresses, the audience undergo the emotional turmoil, which leads Bathshebas character as a self-reliant unconventional woman into a dependent, weaken fairly stereotypical woman. And what shall I do without you? The use of Hardys language illustrates how weakened and dependent she has become. Throughout the novel, Bathsheba confides in Gabriel expecting and needing Gabriel to advise and support her on her decision until she meets Troy and confides in him too You will, Frank, kiss me too! Hardys language portrays how desperate Bathsheba has become, in chapter 43 Fannys revenge Bathsheba shows generosity towards Fanny and her baby when she lay flowers from the vase around her head, knew of no other way of showing kindness but jealously is also displayed towards Fanny and the baby when she sprang towards him shouting with all the passion Dont kiss them kiss me too! By analysing the meaning of her name the reader is able to learn more about her character. Her first name Bathsheba has a biblical reference. Bathsheba represents all that is forbidden and is ironically often characterised as the malevolent temptress, which holds great similarity to Bathsheba (Davids Wife) who was the wife of Uriah who committed adultery with David, she later married him after he had ordered the killing of her husband. We can relate this story to the character of Bathsheba Everdene for she was willing to marry someone for security and not for love, demonstrated through her relationship with Boldwood. Not surprisingly though, being so independent she does not rate marriage very highly, I should not mind being a bride at a wedding if I could be without having a husband. This shows us that she is not very keen on the love and marriage. However, her surname is in direct contrast to her first. Her surname Everdene can also be associated into how she visualised herself a fair product of nature and as the meaning of her surname suggests; timeless qualities of nature. This may also have been relevant as to where she felt most contented, and where she did not have to impress anyone. I think her surname shares a link to the inner Bathsheba, which is hidden underneath her outstanding eccentric characteristics. She is consistently hardworking and independent; this could be why she was so successful in managing her uncles farm. It gave her a chance to relax and clear her mind from all the chaos that surrounded her constantly. Throughout the course of Far From The Madding Crowd, Bathsheba experiences multiple changes in her character, drastically changing her behaviour and overturning her personality for the best during her increasingly turbulent life. While Bathsheba has many good qualities and pleasant aspects to her character, she also possesses a number of weaknesses that dramatically affected her life, hence humanising her for the audience sympathy. At the beginning of the novel Bathsheba could be described as arrogant for her stubborn behaviour she displays to the waggoner as she pays the man at the tollgate an inadequate amount of money, she says that enough that Ive offered and she wont pay anymore. She behaves in a disdainful way with him. She looks down on him as someone who is there to take orders from her. This haughtiness is derived from some sense of superiority. But as the story progresses and she is introduced to Troy she is weaken by him into a vulnerable and stereotypical woman, which the reader begins to favour, and like. Hardys portrayal of the protagonists descent from an outspoken unconventional women to a stereotypical woman her husbands property, instantly gains the readers commiserations. Hardys relationship with his protagonist character can be defined as respected. He keeps an exceedingly close connection to Bathsheba allowing the reader to understand her situations throughout the novel. Hardys choice of enabling the reader to see her from Oaks point of view, gives the spectators opportunity to understand her decisions as Gabriel is portrayed as a modest and humble man for even when he lost his farm he moved forward. Passed through an ordeal of wretchedness. Therefore, for Gabriel to like such an unconventional woman suggest to the reader that there are many good points of her. Poor Bathsheba. This quote was emphasised by Hardy himself. Hardy shows sympathy for his protagonist with his use of emotive language, her eyes are so miserable that shes not the same woman . Fanny Robin is on the other end of the social hierarchy, she is a direct contrast of Bathsheba Everdene; Bathsheba has dark hair and wears bold clothes that highlight her personality crimson jacket. However, Fanny has yellow hair and could be easily portrayed has frail slight and fragile creature. Fanny is depicted as a shadowy figure, adding mystery to the plot. Hardy evokes sympathy for Fanny when she is first introduced in chapter seven, in Weatherbury churchyard where she is escaping from her daily job as a housemaid. When abreast of a trunk, which appeared to be the oldest of the old, he became aware that a figure was standing behind it she appears to be a timid girl that wants to go unnoticed if she could help it. Gabriel notices how weak and vulnerable she seems, as she is thinly clad. Gabriel shows his generosity by offering her a shilling, which she happily accepts. The audience instantly becomes aware of her lower social status and are confused by why she is running away from a secure environment. Fanny spent all of her life depending on others for her well being. Mr. Boldwood out of genoristy brought her up as she is an orphan. Boldwood represented a father figure to Fanny for she lost both her parents at an early age, He provided her with both an eductaion, Took her and put her to school and found her work Got her a place on The Everdenes farm. Orphan girls such as Fanny were placed in domestic work. Even though Boldwood provided her with a secure environment, she missed the presence of a mother figure. When Fanny meets Troy she is immediately portrayed as a pleading, desperate young lady. Now, dear Frank, when shall it be? Hardys use of language illustrates how desperate she is. But, through her difficult situation she never demands but instead pleads with Troy. Similar to Bathsheba, Fanny can also act unconventionally, for example when she runs away from the Everdenes farm to marry Troy although she is depicted as a vulnerable girl in a hostile landscape. This is effective in that it draws the readers sympathy for Fanny because of her weak stature and the harsh surroundings that she had to survive with each day. Ironically though her letter rejoicing in her forthcoming marriage she could be perceived as naive and premature. Through this Hardy again evokes sympathy and pity for Fanny when she goes to the wrong church and faces Troys wrath, This gave Troy a perfect opportunity to abandon Fanny and marry Bathsheba, unknowingly to Troy, Fanny is pregnant and destitute. She is a victim in this circumstance, a shadowy presence who reveals Troys fickleness when he flirts with Bathsheba. Fanny would be frowned upon for giving birth to an illegitimate child, with no husband by her side she would have to face this prejudice unaccompanied. Her determination helps her deal with her pregnancy. She still carries on her search for Troy despite her condition. This is the complete opposite to Troys nature. This shows that Fanny is naÃÆ'ÃâÃâ ÃÆ'ââ¬Å¡Ãâà ¯ve, she does not realise Troys true nature and that he is simply using her. Troys treatment towards Fanny contributes to the affection given by the reader to Fanny. In chapter 11- Outside the barrack, Troy is introduced for the first time in the novel he is immediately portrayed as a careless and thoughtless man, when he leaves Fanny outside the barrack in the cold weather the embrowning by frost. Hardy positions Troy so that the window he is in when conversing with Fanny is portrayed as a framing device symbolising his power over Fanny. Hardys use of language to describe the control Troy as over Fanny provokes the readers compassion to watch a weak lady being handled by a selfish man, who only cares for his own interest and health. Its obvious that Fanny is in love with Troy, as she tells him directly, Frank I love you so. also she walked most of the way to the barracks from Casterbridge proves how much she loves him but instead of sympathy for Fanny, Troys initial thought were well, you have to get some proper clothes. Consequently, Fanny conceals her pregnancy and supports herself until she goes to Casterbridge workhouse to have her baby. Hardy evokes sympathy for Fanny in this situation, because she could have demanded Troy to take care of her and the unborn baby, but she didnt, and in doing so demonstrate that she had respected Troys choice to marry Bathsheba. Realising how her social status and upbringing would have affected Troy, she left him alone. Fanny shows great courage and generous behaviour for she had so little, but yet payed the ultimate price of death. Hardys emotive explanation of Fannys intense exhaustion depicts in harrowing detail her last journey. The audience are able to emphasise every step she takes she crawled to the bridge Hardy illustrates a poignant picture of her suffering, with her little arms resting on a large dog dragging her to the workhouse where she awaits her death caused by giving birth to an illegitimate child. It is Fannys death and Troys realisation that he did love her in retrospect that finally annihilates their already deteriorating marriage between him and Bathsheba. This meeting enables Hardy to emphasise the irony of her role: she is used to highlight Troys character, until Bathsheba herself realises Troys true character. Gabriel leaves Fanny coffin to rest at Bathshebas house, which is near to where she will be buried the next day. On the coffin though it read Fanny Robin and Child Gabriel took his handkerchief and cautiously rubbed out the two final words, leaving one dedication Fanny Robin only. Gabriel did this to protect Bathsheba from getting hurt and maybe even to protect Troy from the embarrassment, as he was the father of an illegitimate child. From analysing Fannys surname Robin gives an idea of an animal that is small, fragile and beautiful but is also vulnerable and timid that hardy wanted to create connotations to her surname and this was just the simplicity of her character. In the end Hardy left Fanny with the most remarkable scene in the novel where the gurgoyle was dripping water all over her grave leaving it ruined. The persistent torrent from the gurgoyles jaws directed all of its vengeance into the grave . This is where Hardy has evoked the most sympathy for Fanny, as most readers would agree. Troy took Fanny for granted always expecting her to be there and only realised how much he loved her when she died, you dont know what you got till its gone . Throughout the novel, Fanny is presented as a victim of fate and circumstance. Her life is controlled by fate and chance and this portrays how her function for Hardy extends beyond the plot and the development of other characters. Fanny Robin has a minor role in the novel Far From the Madding Crowd however the sense cannot be said about the significance of the character Fanny Robin she is use to highlight Troys true character and represent a model of a Victorian women. Hardys use of language describe the grief of Fannys struggle as a stereotypical Victorian woman in a society that disregards mens error but excludes women for theirs. Through Hardys emotional descriptions, the reader is made to feel empathy for Fanny and her circumstance, O pity me, Lord!. Each time Fanny is seen in the novel, she is either traveling or waiting to meet her only love. Hardys pity is given to Fanny as he expresses in the text suffering woman showing his sorrow for Fanny. Hardy has presented his female characters in the most appropriate and effective way in order to draw sympathy from them. His use of men helped to evoke sympathy for his two female characters; for example Gabriel kind hearted generosity allowed the reader to sympathise with Bathsheba situations for she always came to him in desperate need of adviceAnd what shall I do without you? Gabriel was the first character to interact with Fanny noticing how desperate and weak she appeared. Another example is Sergeant Troy and his dismissal to Fanny immediately allows the reader to relate and understand her through her difficult circumstance. It was Troy that weakens Bathsheba in believing that he was the only man for her and going against all of her feminist rights. But towards the ending of the novel Hardy holds a great moral at which is to cherish everything you have in life because one day they might not be there.
Saturday, January 18, 2020
Elegy for Drowned Children by Bruce Dawe Essay
ââ¬Å"Elegy for Drowned Childrenâ⬠is a poem written by Australian poet Bruce Dawe in the 1960ââ¬â¢s. An elegy is a sad poem or song that laments the death of a person. This poem implies that the persona had a close relationship with someone who had drowned or loss their child to drowning. This poem has five four-lined stanzas. The first and last lines rhyme with each other while the middle two lines rhyme with each other. This creates a song like quality to the poem. The first three stanzas of the poem end with questions. This structures the idea of parents mourning with unanswered questions. The last two stanzas are enjambed. This gives the effect of the parents realizing thereââ¬â¢s no point in questioning their deaths but to be at peace with it. This poem is giving some consolation to the people who have lost loved ones, mainly children, to drowning. The poem frequently refers to Greek mythology. There is an ââ¬Ëold kingââ¬â¢ whom is assumed to be the Greek god of the ocean Poseidon, who resides in the sea and takes care of drowned children. In this poem, the old king takes a ââ¬Ëshining haulââ¬â¢ of children with his ââ¬Ësureââ¬â¢ net. This suggests that many children have been taken by him. The use of the word ââ¬Ësureââ¬â¢ implies that no one is really safe from him and that it is fated to happen. It could also mean humans cannot prevent nor control the ocean. However, the persona describes his care as ââ¬Ësolicitousââ¬â¢ and ââ¬Ëtenderââ¬â¢. This expresses that the king is kind and caring to the children. In an effort to ease the parentsââ¬â¢ distress, the use of mythology conveys the notion that the children are not just gone but instead they are being taken care of in a safe ââ¬Ëkingdomââ¬â¢. Dawe uses a simile when describing the parents who are, ââ¬Ëcalling like birds by the waterââ¬â¢s edgeâ⬠. This use of simile creates the image of frantic and alarmed parents repeatedly calling out the names of the children who have drowned. The significance of using birds instead of any other animal is to create an image that there are many parents who have experienced their children drowning and they collectively call out to the water for the king to return them. The persona also uses simile when describing the boys who visit their parentsââ¬â¢ dreams who are ââ¬Ëfluid as porpoisesââ¬â¢. This comparison to the boys to porpoises suggest the bittersweet idea that the boys have been down in the ocean for so long that they have become accustomed to swimmingà in the oceans and into their parentsââ¬â¢ dreams. The persona also uses imagery when describing the boysââ¬â¢ skin as ââ¬Ëmoonlitââ¬â¢. This could be literal or symbolic. Literally, it could mean the boysââ¬â¢ skin is as pale as the moon. However, symbolically, it could be skin that has not been in the ââ¬Ësweet sunââ¬â¢, which is life. The use of alliteration in the line ââ¬Å"From leaden-lidded sleep, softly to stealâ⬠slows the tone of the poem down. This creates a dream like quality to the rhythm of the poem which mirrors the actual words of the poem. The repetition of the word ââ¬Ëupwardââ¬â¢ in the last stanza helps create the dream like quality. It quickens the rhythm of the poem and emanates excitement. This could be a reflection of the emotions of the parents when having a dream about their children. This poem uses many techniques to convey itââ¬â¢s main ideas. It is a comforting poem for people who have lost their children to the water. The poem is relevant to us as Australians because we are community that spends a significant amount of time by the beach and in the water. We are also a community that has many deaths caused by drowning.
Friday, January 10, 2020
Jeep Grand Cherokee Essay
Jeep Grand Cherokee is an American car. This kind of cars is survivorââ¬â¢s favorite things in VALS types. Survivors live narrowly focused lives. They are accustomed to use their familiar things, canââ¬â¢t accept new things quickly. Therefore Jeep brand which has more than 70 years history and born for war can satisfy the sense of survivorsââ¬â¢ security. At the same time, survivors are cautious customers. Just in time, the design philosophy of Jeep-safety, comfortable, power, meet their requirements. Jeep brand is their best choice. The price of brand new Jeep Grand Cherokee starts from 39,895 dollars, this price level is medium-high. Itââ¬â¢s expensive, but the price is not higher than Mercedes-Benz SUVs and BMW X5. For this reason Jeep Grand Cherokee is not a rich status symbol. However Jeep Grand Cherokee absolutely present a kind of personal character, itââ¬â¢s a symbol of recalcitrant man. SUVs are trendy because of better vision, more capacious space. On this basis, Jeep Grand Cherokee obtain better fuel economy by using new V6 engine. Increased back space make it more suitable for family, through the change of interior atmosphere let Jeep Grand Cherokee has become home up. Still powerful cross-country performance and improve highway playability let it drive up full of fun. Grand Cherokee try to attract more people to choose as family car. Hence, if you want to have fun with family in weekend, you canââ¬â¢t miss this car.Jeep Grand Cherokee is not offbeat no matter on speed or safety, but it can find balance in both. Jeep Grand Cherokee is a domestic car. Itââ¬â¢s more appropriate survivors who like familiar brand and proud of owning American car even products. 2012 Jeep Grand Cherokee use headline for: Youââ¬â¢ll need to find a different excuse for being late to work. This headline really attract office worker. This press Jeep Grand Cherokee is comfortable and has fun to drive. Comfortable is the other most important reason for choose American car. Grand Cherokee shows this characteristics of the incisively and vividly. The seat not only soft and comfortable, and let any shape people drive this big car can find the most suitable for their own driving posture. Jeep own a pure cross-country blood, this SUV retains its essence and enhance the characteristics of adapting road. This advertising didnââ¬â¢t use celebrity charm and use model. Itââ¬â¢s just aà picture about Grand Cherokee run in snow. This picture foil masculine, at the same time correspond subtitle: When you enhance the legendary Jeep brand capability with a Selec-Terrain system, snow doesnââ¬â¢t stand a chance. This advertising posted on Reader magazines whose readers have own-opinion. Overall this advertising conveys adventure emotional approach and express itââ¬â¢s comfortable and has fun with driving. Itââ¬â¢s impressive and attractive advertising.
Thursday, January 2, 2020
Plato vs. Nietzsche - 1140 Words
Johnny Lee Plato versus Nietzsche The central ideas that two great philosophers, Plato and Friedrich Nietzsche, talked about were the reality and appearance; and what they mainly focused on is where we as humans stand between these two. Of course, regarding the fact that Plato and Nietzsche lived in different time periods, they had their differences that conflict with each otherââ¬â¢s theories. But they do have something to agree upon; they both argue that humans live in an illusory world of our own that we think is reality when we actually are not. One important idea they disagree on is their concepts on what is reality and what is truth. Platoââ¬â¢s theory is mostly based on his cave allegory where he explains humanââ¬â¢s conditions. I willâ⬠¦show more contentâ⬠¦The basic summary of this poem is that there are ââ¬Å"Twenty men crossing a bridge/ Into a villageâ⬠(Stevens) and the speaker, Stevens or the Magnifico, is trying to find the meaning behind these twenty crossi ng the bridge. The problem that Stevens had was the words that were used by someone else to describe the twenty men. These twenty men could be perceived as twenty men crossing twenty bridges for each man could experience crossing the bridge very differently. It can also be seen as one man crossing the bridge if they all had the same purpose of why they are crossing the bridge. Ultimately, these men will look like one single man. Stevens could not find the true meaning of his own behind these other peopleââ¬â¢s descriptions of the twenty men. He starts using words like ââ¬Å"white wallâ⬠and ââ¬Å"fruit-treesâ⬠to grasp the real meaning of these men crossing the bridge but no matter how hard he tries ââ¬Å"the meaning escapesâ⬠(Stevens). This poem perfectly supports Nietzscheââ¬â¢s theory in the sense that, words are only metaphors to describe objects. Words cannot hold concepts for objects do not have real meanings behind them. After all, Stevens and even Nie tzsche would say that it is simply ââ¬Å"Twenty men crossing a bridge/ Into a villageâ⬠with no concepts attached. Going back to the cave allegory, Plato says that humans think the ââ¬Å"shadowsâ⬠are the truth behind the objects when they are only appearances. 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